"Wednesday Women's Day" should be known to women, three female directors who fought for feminism.

Marta Mercelos, the first female director in Hungarian history

"I went to a movie in Moscow because there wasn't a girl at the movie school in Hungary," she said. 」

Marta Mercelos (Márta Mészáros) was born in 1931, the first female director in Eastern European Hungarian history. In 1975, the famous film "adoption" won the Berlin Film Festival Golden Bear Award, but also the first award-winning female director, laid the female image workers in the International Hall of Fame status.

In the past 60 years, the tower has been involved in the creation of video editing, has accumulated nearly stemona film creation, its work contains women's consciousness, gender issues and the fight against paternity, the subject of bold, challenging conservative, to re-examine women's pregnancy, production, abortion, echoing the 1970-year period of the flourishing Western European women The Hungarian director who introduced the female theme to the front of the European film since the 60 has played a pivotal role in the influence of the feminist development in Eastern Europe. (Taiwan Director Yi Zhi: As creator, I want to speak for society )

He emigrated to the Soviet Union at the age of 5 and grew up during the reign of Stalin's regime. Marta's mother died in childbirth, the father was sent to the concentration camp after the disappearance of these memories later into her most famous "diary Trilogy", the story reflects the end of the Second World War, the Hungarian political, cultural values and social class under Soviet socialism. The director's own experience carved out delicate and sour historical scars, with a unique feminine perspective to re-examine the modern history of Eastern Europe. "Diary for Children" touched on controversial historical themes, in the West was banned two years later, at the 1984 Cannes Film Festival, won the jury award and golden brown Palm nomination. 1987 "Diary For Lovers" was nominated for the Silver Bear and the Golden Bear Awards at the Berlin Film Festival in Germany. The 1990 Diary of the parents completes the Diary trilogy, which lays a more important role in his shadow history. The Golden Camera Award for the Berlin Film Festival in 2007 confirmed his lifelong contribution to the film.

2014 Taiwan International Women's Film festival focus on the theme of the film, in particular, he selected many of his classic works "Adoption", "September", "female successor", "To Love the Diary", "Non-Guanna", "non-Guanna" so that two different times, different backgrounds of the characters face-to-face confrontation, Witness the footprints of Marta through this turbulent history. "Adoption", "September" and "female successor" inherit the female theme of the Marta film, never married children, unmarried adoptions, and other avant-garde taboo subjects, delve into women's self-realization and social reality between the pull, echoing the late 1970 's booming Western European women's movement. Marta's film is not only our blueprint for reviewing the changing times, but also plays an important role in the influence of the development of women's rights in Eastern Europe. (Woman fan Recommended reading: women after 25, why can not have their own dreams?) )

Catherine. Marcus: Blair, female director of the challenge of love and desire

"This movie is not a love movie, it's not about the sexes, it's about a person who knows that he belongs to a race, and that the other person has a sense of isolation from his race." 」

Catherine Marcus: Blair Catherine Breillat has multiple identities as a writer, screenwriter, director and actress, and worked with the Italian national treasure-level director Fellini to write his film "The Ship's continuation" (and the Ships sails on); his novel "The Police" (Police) was also made a film by Morris Piara (Maurice Pialat), director of the Golden Palm Award of the city of Cannes. His literary and film works have challenged the moral and gender boundaries of France and even the world. The first film, "Transom", which was adapted from his novel, "The Book of Love," in 1976, was banned in the conservative 70 because of its bold, sexually-charged close-up.

Different from the mainstream film in the female lust and emotion of the writing method, in his film may not see the purity of the characters and feelings of the description. The film of Catherine Marcus: Blair, which calls itself art, is, in many viewers ' eyes, not the world around everyday life, and in the stark inner nudity and tyranny, he shows his "truth" or "reality" without mercy. Films that were taboo in the past are now being affirmed by critics and viewers, and their edgy, incisive and reflective photography is causing a wave of excitement in the literary or film world. (guilty of nudity?) Jennifer Lawrence behind topless: Violating privacy is better than women enjoying sex or morals? )

Sally Porter, the most important female director in England

"Some stories haven't been told yet, but it doesn't mean they don't exist." 」

Sally Porter Sally Potter, one of the most important female directors in the UK, is probably known to the Taiwanese audience as "beautiful woman Orlando Orlando", which is based on Virginia Woolf's novel, and the Taiwan Women's Film Festival, which was screened in 1993, was his early, avant-garde female film. I am a bull, a horse, a man, a woman I am an ox, I am a horse, I am a mans, I am a Woman ".

Sally was born in London, England, in 1946. At the age of 14, he began to try eight centimeters of film and studied at the Modern Dance Institute in London, showing her unique talents in dance, performing arts, and music, for renowned performing artists and directors. His works often combine various artistic elements, combining the experimental images of avantgarde movies to discuss contemporary gender politics issues, the 1979 personal first experimental film "Thriller" is regarded as a feminist classic film, 1992, "Beautiful Woman Orlando", is his preparation for seven years of work, He successfully won the Venice Film Festival Ocic Special Award, the European Film awards and other international awards, laying the important role of the individual in the movie. Among the many female directors, Sally's importance is not to speak of, her films continue to explore the anxiety of female identity, and different perspectives on feminism, women's problems through the film clearly presented to the public. (Same field Gayon: The Sun Flower Queen and the Crape woman, the patriarchal society accomplice structure and the mainstream feminine doctrine limitation )

Data available: Taiwan International Women's Film Festival